No Hit EP, by Endplate

No Hit EP

by Endplate

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1.	No Hit 05:08	buy track
2.	Black Mood 04:51	buy track
3.	Lost Demigod 05:02	buy track
4.	There is only one side 05:05	buy track

about

Work of the author of numerous consolidated references on the international scene and that needs no introduction, Endplate, this EP brings with it four cuts directly destined for the club and every moment of a set. In the pure line of sound that characterizes both the artist and Incense, Endplate demonstrates once again the mastery he has in command of the studio, just as he does by transmitting the energy he creates in booths and venues. Thus, by the hand of the artist responsible for releases on labels such as Aine, Warm Up, Faut Section, Children of Tomorrow, Granulart, [R]3volution or 30D Close Encounters, No Hit EP is presented.

Obra del autor de numerosas referencias consolidadas en el panorama internacional y que no necesita presentación, Endplate, éste EP trae consigo cuatro cortes directamente destinados a la pista y cada momento de un set. En la pura línea de sonido que caracteriza tanto al artista como a Incense, Endplate vuelve a demostrar una vez más la maestría que tiene al mando del estudio, de igual modo que hace transmitiendo la energía que crea en cabinas y pistas de clubs. Así, de la mano del artista responsable de lanzamientos en sellos como Aine, Warm Up, Faut Section, Children of Tomorrow, Granulart, [R]3volution o 30D Close Encounters, es presentado No Hit EP.

credits

released December 9, 2022

Writted & produced by Endplate
Mastered by Koschitzky Mastering
Artwork by Incense Records S.L.
Copyright control by Incense Records S.L.

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about

INCENSE™ Seville, Spain

INCENSE is not servant of the lucrative spirit, it is a space for culture and experimentation. It is not accountable. Its why is handled in other terms, not aspiring to summits, but to contribute its sound and arts to the genre. Beyond being a record label, it is a concept that combines thought and questioning situations, through the expression of music. Quality versus mass commercialization ... more

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